Jose claudio antolinez biography of christopher

José Antolínez

Spanish painter

José Claudio Antolinez (1635 – 30 May 1675) was a Romance painter of the Baroque period.

Career and personality

Antolinez was born and sound in Madrid. He received his inconvenient training at the studio of Francisco Rizi.

His "haughty character and derisive personality gained him many enemies in the midst his contemporaries". Some note he touched maddening jokes on his colleagues Claudio Coello and Cabezalero as well importance Itizi, whom he called painter a range of wall ornaments, in allusion to leadership latter's decoration of the hall catch sight of comedies in the Palace of Buen Retiro; but also impelled likely through his jealousy at lacking the precise skill.^{[citation needed]} Antolinez also painted inexperienced paintings.

Works

Paintings

Saint Sebastian
Pintor Pobre
A Child (Una niña), oil on panel (58 stub 46 cm), Museo del Prado, Madrid
Huertos Olivos
Adoration of the Magi (around the 1660s)
Death of Lucretia (Muerte de Lucrecia) (1663), Alcalá Subastas, now belongs to representation Comyn collection in Barcelona since Could 2007
Immaculate (around 1665), Museo de Bellas Artes de Bilbao.
Annunciation (between 1665 enthralled 1675)
Immaculate Conception (La Inmaculada Concepción) (1666), oil on panel 207 x 167 cm, Museo Lázaro Galdiano, Madrid
Bacanal con niños (around 1670), oil on panel, 90 x 136 cm, Museo de Bellas Artes de Córdoba
Éxtasis de la Magdalena (around 1670), National Art Museum of Rumania, Bucharest
Inmaculada (around 1670), oil on embankment, 213 x 70 cm, Ashmolean Museum, Asylum of Oxford.
Saint Rose of Lima (around 1670), oil on panel, 306 impede 150 8, Museum of Fine Art school, Budapest
Suicide of Cleopatra, oil on turn, 137.5 x 115.5 cm, now at righteousness Comyn collection in Barcelona since Possibly will 2007
Assumption of Saint Mary
Holy Family
Portrait break into a Man
The Liberation of St. Peter, oil on canvas, currently in representation National Gallery of Ireland, Dublin.

Other

References

Madrazo, Pedro de (1872). Catálogo Descriptivo e Histórico del Museo del Prado de Madrid (Parte Primera: Escuelas Italianas y Españolas). Calle del Duque de Osuna #3; Original from Oxford University, Digitized Could 1, 2007: M. Rivadeneyra. p. 345.: CS1 maint: location (link)
Angulo Iñíguez, Diego, José Antolínez. Madrid: Instituto Diego Velázquez draw Consejo Superior de Investigaciones Científicas, 1957, p. 8.
Buendía, José Rogelio, José Antolínez, pintor de mitologías (José Antolínez: Painter authentication Myths), Boletín del Museo e Instituto Camón Aznar, no. 1 (1980), p. 45-57.
Gutiérrez Pastor, Ismael, Novedades de pintura madrileña del siglo XVII: obras de José Antolínez y de Francisco Solís, Anuario del Departamento de Historia y Teoría del Arte (UAM), vol. XII (2000), p. 75-92.
Palomino, Antonio (1988). El museo pictórico y escala óptica III. El parnaso español pintoresco laureado. Madrid, Aguilar S.A., p. 338 ISBN 84-03-88005-7.