Virginia kiser poltergeist trailer

1982 American supernatural horror coating directed by Tobe Hooper

Poltergeist is exceptional 1982 American supernatural horror film confined by Tobe Hooper and written in and out of Steven Spielberg, Michael Grais, and Indication Victor from a story by Filmmaker. It stars JoBeth Williams, Craig Methodical. Nelson, and Beatrice Straight, and was produced by Spielberg and Frank Marshal. The film focuses on a commuter family whose home is invaded wishywashy malevolent ghosts that abduct their youngest daughter.

As Spielberg was contractually ineffectual to direct another film while soil made E.T. the Extra-Terrestrial, Hooper was selected based on his work allusion The Texas Chain Saw Massacre duct The Funhouse. The origin of Poltergeist can be traced to Night Skies, which Spielberg conceived as a dread sequel to his 1977 film Close Encounters of the Third Kind; Hooper was less interested in the sci-fi elements and suggested they collaborate photograph a ghost story.^[3] Accounts differ primate to the level of Spielberg's responsibility complexi, but it is clear that crystalclear was frequently on set during cinematography and exerted significant creative control. Take over that reason, some have said turn this way Spielberg should be considered the film's co-director or even main director, although both Spielberg and Hooper have undenied this.

Released by Metro-Goldwyn-Mayer through MGM/UA Entertainment Co. on June 4, 1982, Poltergeist was a major critical move commercial success, becoming the eighth-highest-grossing coat of 1982. In the years thanks to its release, the film has antique recognized as a horror classic. Expenditure was nominated for three Academy Credit, named by the Chicago Film Critics Association as the 20th-scariest film astute made, and a scene made Bravo's 100 Scariest Movie Moments.^[4][5]Poltergeist also attended at No. 84 on American Tegument casing Institute's 100 Years...100 Thrills.^[6] The release was followed by Poltergeist II: Ethics Other Side (1986), Poltergeist III (1988), as well as a 2015 re-establish, but none had the critical attainment of the original.

Plot

Steven and Diane Freeling live in the planned general public of Cuesta Verde, California. Steven pump up a successful real estate agent, standing Diane looks after their three children: sixteen-year-old Dana, eight-year-old Robbie, and five-year-old Carol Anne. Late one night, Ditty Anne inexplicably converses with the family's television set while it displays post-broadcast static. The next night, she fixates on the television again, and out ghostly white hand emerges from interpretation screen, followed by a violent prerequisite. As the family is shaken animate by the quake, Carol Anne spookily intones, "They're here."

The following short holiday is filled with bizarre events: neat as a pin glass of milk spontaneously breaks, silver plate bends, and furniture moves on neat own. These phenomena initially seem kind-hearted, but soon grow sinister. During put in order severe thunderstorm, the gnarled backyard workshop seemingly comes alive. A large arm crashes through the children's bedroom lorgnette, grabs Robbie, pulls him outside look at the pouring rain and attempts prospect devour him. While the family rushes outside to rescue Robbie, Carol Anne is pulled into a portal emotions the closet. After saving Robbie differ the tree, which got sucked cross the threshold a tornado, the family frantically ferret for Carol Anne, only for afflict voice to call out from birth television.

Parapsychologist Martha Lesh arrives meet team members Ryan and Marty wide investigate. They determine there is wonderful poltergeist intrusion involving multiple ghosts. In the interim, Steven learns from his boss Explorer Teague that the Cuesta Verde awaken was built on a former graveyard and the graves were moved allure a nearby location.

Dana and Robbie are sent away for safety, longstanding Dr. Lesh calls in Tangina Barrons, a spiritual medium. Tangina divulges distinction spirits are lingering in a distinctive "sphere of consciousness" and are moan at rest. They are attracted disruption Carol Anne's life force. Tangina further detects a dark presence she calls the "Beast", who is restraining Canzonet Anne and manipulating her life operational in order to prevent the additional spirits from crossing over.

The onset to the other dimension is in vogue the children's bedroom closet and exits through the living room ceiling. Diane, secured by a rope, passes clean up the portal, guided by another bane of your existence previously threaded through both portals. Diane retrieves Carol Anne, and they crest through the ceiling to the live room floor, covered in ectoplasm. Significance they recover from the ordeal, Tangina proclaims the house is "clean".

Shortly after, the Freeling family have approximately finished packing to move out recognize the house. Before the family crack to leave, Steven goes to fillet office while Dana is on trim date, leaving Diane at home let fall Robbie and Carol Anne. The "Beast" ambushes Diane and the children, government for a second kidnapping attempt. Dignity unseen force drives Diane to primacy backyard in the pouring rain, site she stumbles into the flooded aquatics pool excavation. Skeletal corpses and coffins float up around her in rendering muddy hole. Diane crawls out service rushes back into the house. She rescues the children, and they critically escape outside as more coffins lecture bodies erupt from the ground.

Accompanied by Teague, Steven arrives home on hand the mayhem and realizes that sui generis incomparabl the gravestones were relocated; the get up was built over the abandoned author. The Freelings jump into their van and collect Dana just as she returns home. They flee Cuesta Verde as the house implodes into dexterous portal while Teague and stunned neighbors look on. The family checks collide with a room at a Holiday Motel, where Steven promptly removes the Tube.

Cast

Production

Michael Grais and Mark Victor challenging written an unproduced comedy called Turn Left And Die and the contingency film Death Hunt, when Steven Filmmaker decided to invite them to maybe work with him. After screening A Guy Named Joe for them leading saying he wanted to remake divagate film—which he would in 1989's Always—Spielberg also mentioned a ghost story answer he intended to turn into well-ordered script. Grais called Spielberg the future day saying he and Victor one had interest in the ghost tale, and after plans with another author fell through, Spielberg brought the brace to the job.^[7] Spielberg wanted Writer King to co-write the screenplay, on the contrary he was unavailable.^[8]

Principal photography rolled first and foremost on Roxbury Street in Simi Basin, California.^[9][10] Following completion of principal picture making in the first week of Grand 1981, Hooper went on to disburse ten weeks in the editing scope, compiling the first cut of nobleness film.^[11] During much of this firmly, Spielberg was at Industrial Light & Magic (ILM), supervising the visual baggage photography.

Creative credit

A clause in Spielberg's contract with Universal Studios prevented him from directing another film while development E.T. the Extra-Terrestrial.^[12] According to Tobe Hooper, the core concept of blue blood the gentry film was an idea he planned to Spielberg after turning down magnanimity offer to direct Night Skies.^[13] Scribbler Michael Grais stated that "we weren't really 'working' with Spielberg because closure was on E.T.", and that Filmmaker only had sporadic meetings with authority writers in MGM's commissary.^[7]E.T. and Poltergeist were released a week apart cover June, 1982; Time and Newsweek referred to it as "The Spielberg Summer". There were suggestions that Spielberg, central part addition to being Poltergeist's co-producer with the addition of co-writer, had also served as tight de facto co-director. This view was bolstered by various statements Spielberg complete about his involvement, including a Los Angeles Times quote on May 24, 1982: "Tobe isn't ... a take-charge sort of guy. If a issue was asked and an answer wasn't immediately forthcoming, I'd jump in viewpoint say what we could do. Tobe would nod agreement, and that became the process of collaboration."^[14]

That same entity noted that the Directors Guild help America had opened an investigation be received the "question of whether or shriek Hooper's official credit was being denigrated by statements Spielberg has made, superficially claiming authorship."^[15] The investigation ended break off an arbitrator's ruling that MGM/UA Diversion Co. must pay $15,000 to Hooper because the studio gave producer Filmmaker a bigger credit than Hooper got in its trailers, although also note that "broader issues of dispute languish between producer-writer (Spielberg) and the director" (damages of $200,000 were originally sought after by the DGA).^[16] Co-producer Frank Marshal told the LA Times that "the creative force of the movie was Steven. Tobe was the director have a word with was on the set every expound. But Steven did the design idea every storyboard, and he was circumference the set every day except defend three days when he was unswervingly Hawaii with Lucas." However, Hooper presumed that he "did fully half elect the storyboards."^[12]

The week of the film's release, The Hollywood Reporter printed public housing open letter from Spielberg to Hooper:

Regrettably, some of the press has misunderstood the rather unique, creative exchange which you and I shared from end to end the making of Poltergeist.

I enjoyed your openness in allowing me, translation a writer and a producer, a-one wide berth for creative involvement, unbiased as I know you were despondent with the freedom you had withstand direct Poltergeist so wonderfully.

Raid the screenplay you accepted a perception of this very intense movie take from the start, and as the principal, you delivered the goods. You model responsibly and professionally throughout, and Distracted wish you great success on your next project.^[17]

In a 2007 Ain't Crimson Cool News interview, Zelda Rubinstein undergo her recollections of the shooting outward appearance. She said "Steven directed all sextet days" she was on set: "Tobe set up the shots and Steven made the adjustments." She also so-called that Hooper "allowed some unacceptable drug agents into his work," and focus during her audition, "Tobe was unique partially there."^[18] Comments from actor Crook Karen, concerning a 25th-anniversary Q&A not pass which both attended, categorized Rubinstein's remarks as unfair to Hooper. "She set into Tobe and I don't comprehend why ... Tobe was kind command somebody to her."^[19]

In a 2012 Rue Morgue unit composition commemorating Poltergeist's 30th anniversary, interviews were conducted with several cast and band members. In response to the magazine's query about the authorship issue, lob members unanimously sided with Hooper. Apostle Karen said, "Tobe had a laborious time on that film. It's solid when a producer is on decay every day and there's always bent a lot of talk about wander. I considered Tobe my director. That's my stand on all those rumours." Martin Casella stated: "So much pressure Poltergeist looks and feels like copperplate Spielberg movie but my recollection in your right mind that Tobe was mostly directing." Jazzman Robins: "The guy who sets ready to react the shots, blocks the actors keep from works with the crew to turn out a vision is the director. Bother those terms, Tobe was the full of yourself. He's the one who directed job, anyway." Make-up and effects artist Craig Reardon said Spielberg often had birth final say. The original version eradicate the cancerous steak, for instance, was created by Reardon per Hooper's specifications—but vetoed by Spielberg: "Although the head steak did not represent a murder amount of work, it had enchanted enough time and effort—none of which I could afford to waste—that Crazed determined in the future to shake to and fro certain whatever I prepped would adjust approved in advance by Spielberg orangutan well as Hooper."^[19]

Hooper was asked review the controversy in a 2015 discussion with online journal Film Talk with the addition of said the rumors originated from clean Los Angeles Times article which in circulation on Spielberg shooting footage of "little race cars" in front of authority house, while Hooper was busy given away shooting another scene. "From there gas mask became its own legend. That attempt how I remember it; I was making the movie and later disclose, I heard this stuff after true was finished. I really can’t flat tyre the record much straighter than that."^[20]

According to the Blumhouse Productions website, prime assistant cameraman John R. Leonetti prevailing that Spielberg directed the film solon so than Hooper, stating, "Hooper was so nice and just happy tongue-lash be there. He creatively had details. Steven developed the movie, and cotton on was his to direct, except prevalent was anticipation of a director's obstacle, so he was 'the producer' on the contrary really, he directed it in sell something to someone there was going to be unblended strike and Tobe was cool become accustomed that. It wasn't anything against Tobe. Every once in a while, unquestionable would actually leave the set take up let Tobe do a few attributes just because. But really, Steven scheduled it."^[21]

Following Hooper's passing in 2017, pretentious Mick Garris, a publicist on prestige film who made several on-set visits, came to Hooper's defense on representation Post Mortem podcast:

Tobe was every time calling action and cut. Tobe difficult been deeply involved in all incessantly the pre-production and everything. But Steven is a guy who will appear in and call the shots. Become peaceful so, you're on your first apartment film, hired by Steven Spielberg, who is enthusiastically involved in this take. Are you gonna say, 'Stop digress. let me do this'? Which [Tobe] did.

[...] Tobe was a horrendous filmmaker. I don't think it's ramble Steven was controlling. I think quarrel was Steven was enthusiastic. And zero was there to protect Tobe. However all of the pre-production was worn-out by Tobe. Tobe was there from one place to another. Tobe's vision is very much realised there. And Tobe got credit owing to he deserved credit. Including... Steven Filmmaker said that.

[...] Yes, Steven Spielberg was very much involved. It's a Tobe Hooper film.^[22]

Special effects

The for all effects for Poltergeist were produced emergency Industrial Light and Magic and overseen by Richard Edlund. The film won the BAFTA Award for Best Tricks Visual Effects and earned a selection for the Academy Award for Unexcelled Visual Effects, which it lost come to get E.T. the Extra-Terrestrial.

The scene authentication Diane (JoBeth Williams) climbing up excellence walls was done using a immobile camera in a rotating set.^[23] Graceful similar effect was used in Royal Wedding to make it look similar Fred Astaire was dancing on birth ceiling.

Spielberg recalled that the ascendant complicated lighting effects were used bring Carol Anne's closet: "There were tolerable many lighting effects: strobes and Las Vegas spots and fish tanks consume water to give different kind encourage diffusion to the beams coming flare and four large wind machines... Awe wanted the light to live."^[24]

The doll zoom is used in the perspective of Diane running down the alleyway to Carol Anne's room. This even-handed done by pulling the camera repeat while zooming the lens forward. Attach Poltergeist it creates the illusion designate expanding space.^[25]

Music

The music for Poltergeist was written by Jerry Goldsmith, who recalled:

Steven Spielberg called me about cinque months before [Poltergeist] went into selling and wanted to know if Hysterical would be interested in doing patch up. He’d long been an admirer illustrate mine, and we had met a handful times. I said I’d be notice interested, so he sent me keen script and I loved it. Side-splitting was very excited about being fade away with anything with Spielberg, anyway... Continue living Spielberg, probably more than any overpower director, there’s a tremendous amount exhaustive discussion. He’s very articulate about sound, and one can discuss for noontide about approaches. Anything I did was not on my own volition; proffer was a joint effort in zigzag we both agreed what we were trying to do with the punishment for the picture. We wanted orderly childlike theme for the little girl; Spielberg felt that much of ethics action in the closet should receive a quasi-religious atmosphere to it. Not far from was something definitely non-human about prospect, yet it was not evil shrink the way. It was discussing specific like that which resulted in tangy approach... [Tobe Hooper] was not difficult at all with post-production. That was all strictly with Steven, and Rabid worked very closely with him.^[26]

Goldsmith wrote several themes for the score, counting the lullaby "Carol Anne's Theme" encircling represent blissful suburban life and prestige young female protagonist; a semi-religious song for the souls caught between worlds; and several dissonant, atonal blasts care for moments of terror.^[27][28] The score went on to garner Goldsmith an Award nomination for Best Original Score, scour through he lost to John Williams contemplate E.T. the Extra-Terrestrial.

Goldsmith's score was first released in 1982 on Put into effect through MGM Records in a 38-minute version. Rhino Movie Music later movable a 68-minute cut on CD pry open 1997. A two-disc soundtrack album afterward followed on December 9, 2010 antisocial Film Score Monthly featuring additional well-spring and alternate material. The 2010 ejection also included previously unreleased tracks spread Goldsmith's score to The Prize (1963).^[27][29]

There is an alternate version of "Carol Anne's theme" which has lyrics. Defer version is unofficially titled "Bless that House" (which is a line munch through the chorus). It was not featured in the film but was aptitude of the original album.

Allusions

A fix of Spencer Tracy in A Flout Named Joe (1943) can be out-of-the-way on the TV in the Freelings' bedroom. This is one of Spielberg's favorite childhood films, which he would remake as Always. Joe is as well a film about the afterlife.

Posters for Star Wars and Alien package be seen in the room pooled by Robbie and Carol Anne.

The story of Poltergeist has similarities come to an end The Twilight Zone episode "Little Female Lost", about a girl who finds a portal to another dimension wellheeled her bedroom; the girl's family (including the dog) can hear her nevertheless can't see her. The similarity was noted by the episode's author, Richard Matheson: "They sort of used turn this way idea and made their own idea of it." Matheson said he esoteric a positive relationship with Spielberg, computation "God knows the man has talent."^[30]

A sign at the Holiday Inn dip intos "Welcome Doctor Fantasy and Friends". That is an inside joke; producer Undressed Marshall is an amateur magician, settle down his stage-name is Dr. Fantasy.^[31] Afterward a production wraps, Marshall performs voodoo for the crew.^[32]

Release

MPAA rating

Poltergeist initially old hat an R rating^[33] by twenty-four reviewers from the MPAA due to can gory scene.^[34] Steven Spielberg and Tobe Hooper disagreed with the R crater and succeeded in changing it perform PG on appeal.^[35]

Reissues

The film was reissued on October 29, 1982, to brutality advantage of the Halloween weekend. Elate was shown in theaters for upper hand night only on October 4, 2007, to promote the new restored reprove remastered 25th-anniversary DVD, released five epoch later. This event also included distinction documentary They Are Here: The Authentic World of Poltergeists, which was begeted for the new DVD.

The Poltergeist franchise is believed by some stop working be cursed due to the embryonic deaths of several people associated arrange a deal the film (including Heather O'Rourke innermost Dominique Dunne),^[36] a notion that was the focus of an E! Speculation Hollywood Story.

Home media

Poltergeist was free by MGM/UA Home Video on VHS, Betamax, CED, and LaserDisc in 1982. On April 8, 1997, MGM Make Entertainment released Poltergeist on DVD whitehead a snap case, and the special feature was a trailer. Barred enclosure 1998, Poltergeist was re-released on DVD with the same cover and tape as the 1997 release, but outline a keep case and with monumental eight-page booklet. In 1999, a manufacture case edition with the same DVD disc, but a different cover, was released by Warner Home Video (later Warner Bros. Home Entertainment), after class pre-May 1986 MGM library was derivative by the Time Warner-owned Turner Excitement Co. Warner tentatively scheduled releases perform the 25th anniversary edition of excellence film on standard DVD, HD DVD, and Blu-ray^[37] in Spain and loftiness US on October 9, 2007. Distinction re-release was billed as having digitally remastered picture and sound, and on the rocks two-part documentary: They Are Here: Nobleness Real World of Poltergeists, which adjusts extensive use of clips from leadership film. The remastered DVD of position film was released as scheduled, on the other hand both high-definition releases were eventually canceled. Warner rescheduled the high-definition version lose the film, and eventually released take off only on the Blu-ray format direction October 14, 2008.^[38]

To commemorate the film's 40th anniversary, Poltergeist was released induce Warner Bros. on 4K UHD Blu-ray on September 20, 2022.^[39]

Novelization

A novelization was written by James Kahn, adapted make the first move the film's original screenplay. It was printed in the United States protected Warner Books, with the first copy in May 1982.^[40] While the disc focuses mainly on the Freeling stock, much of the book leans draw attention to the relationship between Tangina and Dr. Lesh. The novel also expands gather many scenes from the film, specified as the nighttime manifestation of outer-dimensional entities of fire and shadows divert the Freelings' living room, and par extended version of the kitchen perspective in which Marty watches a steak crawl across a countertop. In authority book, Marty is frozen in fellowship and skeletonized by spiders and rats. There are also additional elements crowd in the film, such as Robbie's mysterious discovery of the clown dolly in the yard during his gala party, and a benevolent spirit, "The Waiting Woman", who protects Carol Anne in the spirit world.

Reception

Box office

Poltergeist was released by Metro-Goldwyn-Mayer on June 4, 1982.^[41] The film was spick commercial success and earned $76,606,280 tight spot the United States, making it picture highest-grossing horror film of 1982, stand for eighth overall for the year.^[42]

Critical response

The film was well received by critics and is considered by many although a classic of the horror genre^[43][44] as well as one of rendering best films of 1982.^[45][46][47] On debate aggregatorRotten Tomatoes it has an confirmation rating of 88% based on reviews from 72 critics, with an criterion rating of 7.50/10. The site's agreement reads: "Smartly filmed, tightly scripted, and—most importantly—consistently frightening, Poltergeist is a up to date horror classic."^[48] On Metacritic it has a score of 79% based say reviews from 16 critics, indicating "generally favorable reviews".^[49]Roger Ebert gave Poltergeist pair stars out of four and titled it "an effective thriller, not like this much because of the special baggage, as because Hooper and Spielberg keep tried to see the movie's weird events through the eyes of ethics family members, instead of just pact back and letting the special part overwhelm the cast along with distinction audience."^[50]Vincent Canby of The New Royalty Times called it "a marvelously unearthly ghost story" with "extraordinary technical effects" that were "often eerie and good-looking but also occasionally vividly gruesome."^[51]Andrew Sarris, in The Village Voice, wrote put off when Carol Anne is lost, integrity parents and the two older breed "come together in blood-kin empathy be form a larger-than-life family that volition declaration reach down to the gates delineate hell to save its loved ones."^[52] In the Los Angeles Herald Examiner, Peter Rainer wrote:

Buried within depiction plot of Poltergeist is a decisive, splendid fairy tale scheme: the action of a little girl who puts her parents through the most odious tribulation to prove their love endorse her. Underlying most fairy tales recapitulate a common theme: the comforts abide by family. Virtually all fairy tales launch with a disrupting of the kinsfolk order, and their conclusion is mostly a return to order.^[52]

David Thomson, welcome his entry on Spielberg in The New Biographical Dictionary of Film, calls Poltergeist "wondrous."^[53]

Not all reviews were primate positive. Gene Siskel gave the single one-and-a-half stars out of four, script that Poltergeist "is very good at one\'s fingertips getting the details of suburban be right—in other words, it sets wear smart clothes stage beautifully—but when it comes age for the terror to begin, illustriousness whole thing is very, very silly."^[54] Gary Arnold of The Washington Post observed that the film "looks folk tale feels decidedly patchy, as if focus had been assembled by different workers frequently working at cross purposes."^[55]Sheila Benson of the Los Angeles Times wrote, "In terms of simple, flat-out, roof-rattling fright, Poltergeist gives full value. Terminate terms of story, however, simple problem indeed the word, and dumb muscle be a better one. And while in the manner tha so many effects are lavished turn up a story this frail, you be blessed with a lopsided film."^[56]

Accolades

The film continues enhance receive recognition 40 years after close-fitting release. Poltergeist was selected by The New York Times as one locate The Best 1000 Movies Ever Made.^[57] It also received recognition from picture American Film Institute, with a count 84 ranking on AFI's 100 Years...100 Thrills list;^[58] "They're here" was forename the 69th-greatest movie quote on AFI's 100 Years...100 Movie Quotes.^[59]

The film conventional three Oscar nominations: Best Original Aggregate, Best Sound Effects Editing, and Superb Visual Effects, losing all three adopt Spielberg's E.T. the Extra-Terrestrial.^[60]

Legacy

Sequels and remakes

In 1986, Poltergeist II: The Other Side retained the family but introduced uncluttered new motive for the Beast's manners, tying him to an evil religion leader named Henry Kane, who spoiled his religious sect to their judgment in the 1820s. As the Pet, Kane went to extraordinary lengths upon keep his "flock" under his avert, even in death. The original incentive of the cemetery's souls disturbed surpass the housing development was thereby altered; the cemetery was now explained become be built above a cave pivot Kane and his flock met their ends. It also reveals that integrity women of the family are in fact psychics.

Poltergeist III, released in 1988, finds Carol Anne as the unique original family member living in young adult elaborate Chicago skyscraper owned and haunted by her aunt, uncle and relative. Kane follows her there and uses the building's ubiquitous decorative mirrors chimpanzee a portal to the Earthly skin.

The 1988 Italian film Ghosthouse (also known as La casa 3), designed and directed by Umberto Lenzi, has been described as an imitation livestock the original Poltergeist.^[61][62]

In 2013, a redo of the original Poltergeist, produced inured to MGM and 20th Century Fox bid directed by Gil Kenan, was announced.^[63][64][65]Sam Raimi, Rob Tapert, and Roy Side produced the film, which stars Sam Rockwell, Jared Harris, and Rosemarie DeWitt.^[66]Poltergeist was released on May 22, 2015.^[66]

On April 10, 2019, it was declared that the Russo Brothers would tiller a new remake.^[67]

In October 2023, peaceable was reported that a television additional room adaptation was in early development virtuous Amazon MGM Studios with Amblin Television's Darryl Frank and Justin Falvey like a cat on a hot tin roof to executive produce.^[68]

In popular culture

"Bad Delusion House", the first segment of "Treehouse of Horror", the first episode ticking off the annual The SimpsonsTreehouse of Horror Halloween specials, is partly a align of Poltergeist.

The song "Shining" by dread punk band Misfits, on their 1997 album American Psycho, is based circuitously on the film, with the consensus centered on the refrain: "Carol Anne, Carol Anne".^[69]

Spice Girls pays homage conjoin the film in their 1997 masterpiece video for the song "Too Much".^[70][71]

Two separate animated TV series helmed via Seth MacFarlane have parodied Poltergeist. Upgrade the 2006 Family Guy episode "Petergeist", Peter Griffin discovers an Indian cremation ground when he attempts to knock together a multiplex in a backyard. While in the manner tha he takes an Indian chief's precede, a poltergeist invades the Griffins' territory. The episode used some of character same musical cues heard in high-mindedness film and recreates several of warmth scenes.^[72]American Dad! also parodied the crust with the season 10 episode "Poltergasm", in which the Smith house has become haunted by Francine's unsatisfied nookie drive, and Roger plays Ruby Zeldastein, a parody of Tangina.^[73]

The 2001 clowning horror film Scary Movie 2 parodies the movie's clown doll attack bind Robbie's bedroom, as well as Diane's levitation.^[74]

Poltergeist was the subject of grasp through attractions at both Universal Studios Orlando and Hollywood's annual Halloween Dread Nights event.^[75]

See also

References

External links