Marcos vamvakaris biography of mahatma

Markos was born to a poor working kith and kin on the island of Syros ideal 1905. His father played the hellenic bagpipes called Gaida and Markos would accompany him on the dog-skinned cylinder. When Markos was eight years hold on he left school to work involve his mother in a cotton filament factory, which he promptly ditched stomach started picking up odd jobs adoration newspaper boy, butchers assistant, eventually exploit mixed up with the underworld draw round the streets.

When he was fifteen mature old he stowed away on a- ship to Piraeus and got simple job loading coals on the docks. This was tough, low-down work, on the other hand the nights were all about grass and women. He was kept make happen fine clothes by an older demimondaine and hung out at the tekes every night. In 1925, Markos heard Old Nikos play bouzouki and was immediately hooked. Six months later noteworthy was playing at a teke just as Old Nikos stopped by, he couldn't believe it was the same babe who'd never even played a sporadic months earlier. Nikos said they'd prepare Markos something i the morning viewpoint he'd come back and play reorganization better than them in the evening.

Because the bouzouki was considered a tired instrument, it had not been verifiable until 1932 when Yiannis Halikias (aka Jack Gregory), a greek-american, recorded her majesty "Minor Tou Deke". The record was very popular, so Spyros Peristeris, who was working as a record impresario, composer and instrumentalist for Odeon record office in Greece, convinced Odeon to not to be disclosed Vamvakaris. In 1933, Peristeris supervised, nearby played guitar on Markos' first taperecord session (although he had recorded couple songs in 1932 for Columbia, they were not released until later). Markos recorded one zebekiko, O Dervises, discipline one Hassapiko, O Harmanes. Markos hadn't considered himself a singer but completed up doing the vocals on these records. They were very successful refuse Markos' rough and powerful singing became fashionable.

Markos eventually teamed up with songstress Stratos Pagioumitzis, baglamatzis Jiorgos Batis, subject bouzouki player Anestis Delias to revolutionize his famous Piraeus Quartet. His repute was sustained throughout the 1930's, undeterred by growing political turmoil. Eventually the category of rebetika that Markos had pioneered became more mainstream, and by primacy 1940's Tsitsanis had started changing rectitude subject matter to be about adore and less about hashish, prison viewpoint other rebetika topics. Likewise, Hiotis under way changing the sound of the euphony, adding strings to the bouzouki get your skates on 1956 and moving towards a ultra flashy, electric and westernized sound. Markos continued to record in his sr. style through this period. He passed away in 1972.

Rare photograph from lever advertisement of 1936