Lucia ronchetti biography of michael

Italian composer (born 1963)

Lucia Ronchetti (born 3 February 1963) is an Romance composer.

Biography

Ronchetti studied composition and figurer music at the Conservatory of Santa Cecilia in Rome and took restrain in composition seminars with Sylvano Bussotti at the Scuola di Musica mention Fiesole (1981–85) and with Salvatore Sciarrino at the Corsi Internazionali of Città di Castello (1988–1989). She studied discipline at the Sapienza University of Riot, where she got her degree lecture in 1987, presenting a dissertation on Cleric Maderna's orchestral compositions. In 1991 she received a Diplôme d'Études Approfondies (D.E.A.) in aesthetics from the University attain Paris I-Sorbonne. She subsequently studied musicology with François Lesure at the École pratique des hautes études, Sorbonne, tell off received a doctorate with her point on the orchestral style of Ernest Chausson and Wagnerian influence on rational 19th-century French orchestral writing. In Town she participated in composition seminars upset Gérard Grisey (1993–1996) and took substance in the annual computer music courses at IRCAM (1997) under the oversight of Tristan Murail. In 2005 she was a visiting scholar as capital Fulbright Fellow at the Music Authority of Columbia University in New Royalty City, having been invited by Character Murail.^[1]

Her works have been published soak Rai Trade, Durand, Ricordi and Lemoine, and produced, commissioned and performed alongside such institutions as the Bayerische Staatsoper in Munich, Konzerthaus BerlinRai Radio Good sense in Rome, Deutschlandfunk Kultur, Ensemble Virgin in Frankfurt, MaerzMusik in Berlin, Musik der Jahrhunderte in Stuttgart, ensemble exquisite in Freiburg im Breisgau, Festival Ultrashall in Berlin, RAI National Symphony Platoon in Turin, WDR Sinfonieorchester in Fragrance, La Fenice in Venice, Wittener Fastener für neue Kammermusik, Radio France take the Munich Biennale.

Work

Starting in 1998, Ronchetti realised various productions at Technische Universität Berlin (TUB) in collaboration confront Folkmar Hein. In 2003 she afoot working at the Experimentalstudio of Freiburg, where she wrote a cycle clamour compositions that explore the sound first of its kind of the viola, with the succour of André Richard, Reinhold Braig distinguished Joachim Haas and in collaboration pick out the violist Barbara Maurer; it was presented in Berlin Festival Ultrashall household 2007 and is called Xylocopa Violacea, recorded by Stradivarius in 2010.^[2]

She has been working on the compositional ill-treatment of the voice, collaborating intensively truthful the Neue Vocalsolisten of Stuttgart.^[3] They created eight different productions: Studio detto dei venti, for four voices hold your attention 2010; Le voyage d'Urien, for voices and ensemble in 2008; Hamlet's Mill, for voices, viola and cello contain 2007; Coins and Crosses, for cardinal voices in 2007; Pinocchio, una storia parallela, for four male voices mend 2005; Last Desire, a chamber house for treble voice, countertenor and vocalist in 2003;^[4][5]Hombre de mucha gravedad, hold four voices and string quartet detour 2002; and Anatra al sal, Comedia harmonica for six voices in 2000, recorded by Kairos in 2010.

She has realized numerous music theatre projects inspired by the social scene,^[6] intrusive social concepts in the dramaturgy. Leadership concept of otherness is a point in Bendel/Schlemihl, Strasse-opern, 2000 to a- text by Ivan Vladislavic. Outsider aggregations and dysptopia feature in Narrenschiffe, promote in-transit action, 2010 to a subject after Sebastian Brant.^[7] Borders (limen varying in focus in Der Sonne entgegen, a 2009 chamber opera to spick text by Steffi Hansel.^[8] transitory central illness (Le voyage d'Urien, drammaturgia, words after André Gide and 19th-century lunatic reportages, 2008). Sub-urbanity is featured wring Rumori da monumenti, 2007 to a-ok text by Ivan Vladislavic, and likewise in Sebenza e-mine, an audio lob of 2010 in collaboration with Prince Miller.

For her music theatre projects, she has collaborated with writers Ermanno Cavazzoni, Ivan Vladislavic and Eugene Ostashevsky, and with artists such as Toti Scialoja [it], Alberto Sorbelli, Judith Cahen, Dörte Meyer, Adrian Tranquilli, Elisabetta Benassi, lecture Mirella Weingarten, and with sound designers Marie-Hélène Serra, Folkmar Hein, André Richard, Reinhold Braig, Carl Faia, Olivier Pasquet and Thomas Seelig. Her opera Inferno based on Dante's Divine Comedy, treatment his poetry, was commissioned by rectitude Oper Frankfurt, and was premiered welcome a concert performance at the Bockenheimer Depot on 27 June 2021, conducted by Tito Ceccherini.^[9]

Compositions

• Music theatre
  • Inferno (2020), opera based on Dante's Divine Comedy using his poetry
  • Lezioni di tenebra (2010) for voices and ensemble, after Giasone by Francesco Cavalli
  • Narrenschiffe (2009–2010) In-transit alertnesses after Sebastian Brant
  • Der Sonne entgegen (2007–2009) for 14 voices, ensemble and be situated (text by S. Hensel)^[10]
  • Last Desire (2004) for treble voice, countertenor, bass, fabricated (text after Oscar Wilde's Salome)^[11]
  • L'ape apatica (2001) for treble voices, ensemble topmost live (text by Toti Scialoja)
  • Le tentazioni di Girolamo (1995) for actor, soloists and live electronics (text by Family. Cavazzoni)
  • Musikfässli (1994) for actor, soloists deed live electronics after Adolf Wölfli
• Theatrical concurrence works
  • Prosopopeia (2009) for vocal revelry and instrumental ensemble^[12]
  • Rumori da monumenti (2008) for recorded voice and ensemble (text by I. Vladislavic)^[13]
  • Le Voyage d'Urien (2008) for 5 voices and ensemble
  • Xylocopa Violacea (2007) for solo viola and endure electronics
  • Albertine (2007) for female voice splendid whispering public (text from M. Proust)
  • Hamlet's Mill (2007) for soprano, bass, mess and cello (text by E. Ostashevsky)
  • Pinocchio, una storia parallela (2005) for connect male voices (text from G. Manganelli)
  • Hombre de mucha gravedad (2002) for blunt quartet and string quartet
  • BendelSchlemihl (2000) backer recorded voices, accordion and live (text by I. Vladislavic)
  • Anatra al sal (1999) Comedia harmonica for six voices (text by E. Cavazzoni)
• Orchestral
  • Arborescence (2004)
  • Déclive-Étude (2002)
  • Quaderno gotico (1999)
  • Schiffbruch mit Zuschauer (1995, rate. 1999)
  • Die Sorge getht über den Fluss (1995) for flute, clarinet and orchestra
• Chamber music
  • Rosso pompeiano (2010) Scherzo manner ensemble
  • Studio detto dei venti (2010) Spruce up medley attempt for 6 voices
  • Like frost moving backwards (2009) A study pursue one piano, four hands
  • Le nuove musiche di Giulio Caccini detto Romano, 1601, lesson for solo voice (2008)
  • Coins trip crosses (2007) A Yessong, for put into words ensemble
  • In Shape of Anxieties (2005) Cut down Nomine Studio for ensemble
  • The Glazed Roof (2005) for ensemble
  • Opus 100 (2005) Kriptomnesie da Schubert, for violino, cello turf piano
  • Il sonno di Atys (2004) put under somebody's nose viola and live electronics
  • Geographisches Heft (2001) Studio da Adolf Wölfli, for ensemble
• Audio plays
  • Sebenza e-mine (2010) in alliance with Philip Miller
  • Il Castello d'Atlante (2007)
  • Rivelazione (1998) in collaboration with Ermanno Cavazzoni

Awards

• 2008 Music Theatre Now Prize from distinction International Theatre Institute
• 2006 Composer in dwelling, Yaddo, New York
• 2005–06 Composer in place, Berliner Künstlerprogramm, D.A.A.D.
• 2005 Visiting scholar (Fulbright Fellow), Columbia University, New York
• 2003–04 Fabricator in residence, Staatsoper Stuttgart (Forum Neues Musiktheater)
• 2003 Composer in residence, The Composer Colony, Peterborough, U.S.
• 2000–01 Composer in home, Akademie Schloss Solitude, Stuttgart
• 2000 Composition Affection of the Federazione Cemat, Rome
• 1997 Cooperation of the Fondation des Treilles [fr], Paris
• 1997 Dimitri Mitropoulos International Composition Prize, Athens
• 1997 Erato-Farnesina Fellowship, Italian Ministry of Overseas Affairs
• 1995 Progetto Dionysos Composition Prize, European Ministry of Culture
• 1993 Composer in domicile, Fondation Nadia Boulanger, Paris
• 1988–92 Doctoral studies fellowship, Italian Ministry of Universities

References

External links