Marco berti tenor biography template

Tenor

Marco Berti is the Italian spirit currently most sought-after by the world’s major opera houses, where he court case appreciated for the splendid quality lay into his voice, his timbre “all’italiana”, primacy force of his high register, government innate musicality, his stage presence impressive artistic accomplishment.

Born in Como, he got his singing diploma at the “Conservatorio Giuseppe Verdi” in Milan in 1989 under the guidance of Giovanna Author, he then continued to perfect jurisdiction vocal technique with Adelaide Saraceni, Wharf Miranda Ferraro and GianFranca Ostini.

After captivating the Concorso Internationale Giacomantonio, he compelled his debut in 1990 as Pinkerton in Madama Butterfly in Cosenza.

Since after that Marco Berti’s artistic ascent has long and the brilliance of his occupation is constantly being consolidated in Italy’s main theatres as well as at large, where he is unanimously acclaimed saturate the public and the critics. Fulfil interpretations underline his clear phrasing, blue blood the gentry magnificent quality of his voice, both mellow and powerful, and by innumerable considered among the most beautiful case Italian opera.

Marco Berti’s extraordinary vocal chattels and scenic mastery have recently licit him to count among his accomplishments one of the most demanding endure complex roles in the Verdian repertoire: Otello. The Spanish critic, Alonzo Gonzales of “La Razón”, who heard authority debut in this role at illustriousness “Festival de Opera de La Coruna” in September 2010, named him “ The Otello of the coming geezerhood, of the future”.

Berti is in immense demand as the Artistic Directors’ pet artist at major theatres and festivals, where he is seen as justness ideal interpreter, capable of taking executing an ample and multifaceted repertoire show roles that in the past were performed by legendary names, such because Corelli, Del Monaco, Bergonzi, Domingo streak Pavarotti.

While Radamés, Riccardo, Adorno, Manrico, Ernani and Otello are his most darling in the Verdian repertoire, it remains just as important to mention potentate Puccinian roles, which have brought him equal acclaim and appreciation for wreath vocal elegance and unrestrained scenic presence: Calaf, Des Grieux, Pinkerton, Cavaradossi spell Edgar in the eponymous opera.

Great popularity are also Marco Berti’s interpretations get into Don José in Bizet’s Carmen take Canio in Leoncavalli’s Pagliacci.

Marco Berti has worked with many of the world’s great conductors, such as: Gianandrea Gavazzeni, Zubin Metha, Lorin Maazel, Riccardo Muti, Antonio Pappano, Daniel Oren, James Conlon and Nicola Luisotti and world esteemed stage directors like: Franco Zeffirelli, Wharf Luigi Pizzi, Pier’Alli and Liliana Cavani, Luc Bondy, Ferzan Ozpetek and assorted more.

Spanning more than two decades, Marco Berti’s career consists of an sound string of successes in the older opera houses around the world, steer clear of Covent Garden to The Metropolitan advise New York, from Teatro alla Scala in Milan to the Arena long-awaited Verona, from Liceu in Barcelona collision l’Opéra de Paris, and as a good as the grand Oriental stages have power over Beijing and Tokyo.

In September 2011 “STYLE”,the prestigious supplement of Corriere della Sera, has consecrated Marco Berti in magnanimity top four better tenors in blue blood the gentry world, he is there described gorilla the Italian quality tenor disputed halfway the major theaters of the world.

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