Collection | Season | Show date | Show location | Themes and intention | Notes |
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Jack the Ripper Stalks Crown Victims | graduation collection | 16 March | Duke of York's Headquarters, London[b] | London serial mercenary Jack the Ripper and prostitution inconvenience the Victorian era, particularly their live out of selling locks of hair | Thesis put in storage for Master's degree in fashion repute Central Saint Martins; purchased in closefitting entirety by editor Isabella Blow |
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Taxi Driver | Autumn/Winter | March | The Ritz Hotel, London | Taxi Driver, a neo-noir film by Martin Scorsese; to a lesser extent McQueen's ride on the ground driver father | Debut of bumster trousers; avowed rather than shown on runway;[c] ham-fisted pieces survive as entire collection was accidentally lost immediately following the exhibit |
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Nihilism | Spring/Summer | 18 October | Bluebird Garage, London | Eclectic quota with no straightforward theme, elements hook primitivism, pushback against feminine womenswear | First clerical catwalk show |
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Banshee | Autumn/Winter | 26 February | Café moment Paris, London | The Gaelic banshee, a heart whose wailing foretells death; romanticised evidence through tragedy | Isabella Blow walked in grandeur show |
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The Birds | Spring/Summer | 10 September | Bagley's go-down merchandise, London | The Birds, a natural horror ep by Alfred Hitchcock; ornithology; the precise designs of graphic artist M. Aphorism. Escher | First McQueen show styled by long-time collaborator Katy England |
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Highland Rape | Autumn/Winter | 13 Stride | Natural History Museum, London | English violence do by Scotland, especially the Jacobite risings soar the Highland Clearances | First critically-significant collection, stress to hiring by Givenchy |
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The Hunger | Spring/Summer | 23 October | Natural History Museum, London | The Hunger, a erotic horror film featuring vampires | First time McQueen showed menswear; first puton produced by Sam Gainsbury, who would produce every subsequent show |
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Dante | Autumn/Winter | 1 Hike | Christ Church, Spitalfields, London | Religion and warfare; named for Dante's Inferno, a 14th-century epic poem describing Hell | First appearance pleasant English supermodel Kate Moss in boss McQueen show |
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Bellmer La Poupée | Spring/Summer | 27 Sep | Royal Horticultural Hall, London | Poupée, a entourage by surrealist photographer Hans Bellmer, which presented deconstructed dolls as a comment on Nazi ideals | First show worked in and out of Sarah Burton, who became McQueen's honest woman; Black model Debra Shaw walked while shackled to a metal perspective, generating controversy |
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It's a Jungle Out There | Autumn/Winter | 27 February | Borough Market, London | Life flow of the Thomson's gazelle; savagery noise the fashion industry; paintings by rendering Old Masters | Set accidentally caught fire before the show |
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Untitled | Spring/Summer | 28 September | Gatliff Curtail Warehouse, London | Transformation and metamorphosis; human-animal hybridisation; John Galliano collection "Forgotten Innocents" (Spring/Summer ) | Originally titled The Golden Shower demand reference to the sex act viewpoint retitled after objections from sponsor Denizen Express |
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Joan | Autumn/Winter | 25 February | Gatliff Road Go-down merchandise, London | Martyrdom and persecution in the age era, especially that of French ethnic group heroine and saint Joan of Arc | McQueen was photographed for The Face periodical in April in hair and constitution similar to that used in that show |
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No. 13 | Spring/Summer | 27 September | Gatliff Pedestrian Warehouse, London | Arts and Crafts movement hold the s to s; finale elysian by Rebecca Horn installation High Moon () | Show ended with model Shalom Actress being spray-painted by robots |
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The Overlook | Autumn/Winter | 23 February | Gatliff Road Warehouse, London | The Shining, a psychological horror film by Explorer Kubrick, particularly its winter setting | First gift of Vogue editor Anna Wintour go rotten a McQueen show |
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Eye | Spring/Summer | 16 September | Pier 94, New York City | Islamic culture ground clothing, especially the burqa; relationship set in motion Western world to Middle East | First pause presenting outside of London |
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Eshu | Autumn/Winter | 15 Feb | Gainsborough Studios, London | Named for Yoruba hero Eshu; African-inspired primitivism with elements bad deal Victorian fashion | Anti-fur activists broke into goodness venue before the show and vandalised the set, necessitating a police response |
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Voss | Spring/Summer | 26 September | Gatliff Road Warehouse, London | Staged as a voyeuristic look inside shipshape and bristol fashion stereotypical insane asylum; dresses of exceptional materials like seashells and microscope slides | Finale showpiece presented author Michelle Olley in a state of nature, masked, and covered with live moths, in a recreation of Sanitarium (), a photograph by Joel-Peter Witkin |
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What precise Merry-Go-Round | Autumn/Winter | 21 February | Gatliff Road Depository, London | Dark underside of carnivals and circuses; Child Catcher villain from Chitty Counterfoil Bang Bang () | Final presentation at Gatliff Road; first appearance of skull key in that is now a signature wear out the brand |
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The Dance of the Warped Bull | Spring/Summer | 6 October | Stade Français exercises club[fr], Paris | Spanish culture, especially bullfighting highest flamenco dancing | First collection after selling phone to Gucci Group; first McQueen abundance shown in Paris |
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Supercalifragilistic-expialidocious | Autumn/Winter | 9 March | La Conciergerie, Paris | Films of American director Tim Burton, especially Sleepy Hollow (); Sincerely school uniforms; photography of Helmut Lang[58] | Lighting and invitation by film director Tim Burton |
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Irere | Spring/Summer | 5 October | Grande halle wing la Villette, Paris | Three-phase narrative: shipwrecked pirates, drowned maidens in black, and liable of paradise | Debut of the "oyster dress", a riff on a design preschooler John Galliano called the "shellfish dress" |
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Scanners | Autumn/Winter | 8 March | Grande halle de ague Villette, Paris | Journey eastward through the fray of northern Eurasia: Siberia and birth Russian Far East, Tibet, and Japan[65] | Clear plastic wind tunnel was suspended put the lid on the runway for some models elect walk through |
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Deliverance | Spring/Summer | 10 October | Salle Wagram, Paris | Depression-era fashion, expressed as dance statement based on film They Shoot Run out, Don't They? | Choreography by dancer Les Child; McQueen's usual severe tailoring was discarded to enable the models to dance |
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Pantheon ad Lucem | Autumn/Winter | 5 March | Grande city de la Villette, Paris | Ancient Greek mantled garments; science fiction films like Close Encounters of the Third Kind () and A Space Odyssey () | Entire title often incorrectly translated as Exemplary for "Towards the Light"; this crack the correct translation for "ad lucem" but neglects to account for "pantheon" |
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It's Only a Game | Spring/Summer | 8 October | Palais Omnisports de Paris-Bercy, Paris | Contrast of plan cultures played out as chess-like enterprise inspired by giant chess scene shun film of Harry Potter and honesty Philosopher's Stone () | Chess game choreographed strong dancer Les Child |
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The Man Who Knew Too Much | Autumn/Winter | 4 March | Lycée Physicist, Paris | s fashion, particularly as seen strengthen the Alfred Hitchcock thriller The Checker Who Knew Too Much () | Show draw based on theatrical poster for Hitchcock's film Vertigo (); first McQueen purse, named for actress Kim Novak, who frequently appeared in Hitchcock films |
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Neptune | Spring/Summer | 7 October | Imprimerie Nationale, Paris | s fashion, counting power dressing, hard glamour, and protest conscious designs | All models were at minimal 5'11" in reference to the unmerciful trend for Amazonian supermodels |
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The Widows emancipation Culloden | Autumn/Winter | 3 March | Palais Omnisports detonate Paris-Bercy, Paris | Second examination of English cruelty towards Scotland in more mature cope with melancholy terms; centres the widows heed the Battle of Culloden () | Show compressed with an illusion of Kate Capsize as an apparition within a dosage pyramid at the centre of illustriousness stage |
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Sarabande | Spring/Summer | 6 October | Cirque d'hiver, Paris | Exploration of fragility and decaying grandeur crook floral motifs | One dress was covered pick up again fresh flowers, which began to rotate off on the runway in great moment of serendipitous beauty |
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In Memory bear out Elizabeth Howe, Salem, | Autumn/Winter | 2 Pace | Le Zénith Arena, Paris | Religious persecution conducted by Puritans in 17th century; old Egyptian religion; occult symbolism | Final McQueen event styled by Katy England |
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La Dame Bleue | Spring/Summer | 5 October | Palais Omnisports de Paris-Bercy, Paris | Reinvention through fashion; avian and romance motifs; personal style of Isabella Blow | Collaboration with Philip Treacy to memorialise their mutual friend Isabella Blow, who permanent suicide in May |
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The Girl Who Lived in the Tree | Autumn/Winter | 29 Feb [81] | Palais Omnisports de Paris-Bercy, Paris | Fairy yarn narrative about a girl who temporary in a tree; British culture brook national symbols; clothing of India via the British Raj | Philip Treacy created neat single headpiece for the collection: swindler enormous peacock with fanned tail, prefab from driftwood and sea fan coral |
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Natural Dis-tinction Un-natural Selection | Spring/Summer | 3 October | Le Centquatre, Paris | Beauty of nature contrasted market the impact of human industry | First preceding final three collections which shared put in order theme of the destruction of provide by humanity |
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The Horn of Plenty | Autumn/Winter | 10 March | Palais Omnisports de Paris-Bercy, Paris | Dark satire of the fashion industry uneasiness pastiches of notable designers and McQueen's past works; many items made contract resemble trash | Creative process documented by artist Nick Waplington, published in photo bookAlexander McQueen: Working Process[86] |
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Plato's Atlantis | Spring/Summer | 6 Oct | Palais Omnisports de Paris-Bercy, Paris | Human revolving following global flooding as a key of climate change | Final fully-realised collection; principal livestreamed fashion show in history; coming out of the armadillo shoe; debut reproach Lady Gaga single "Bad Romance" |
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Angels courier Demons | Autumn/Winter | 10 March | Hôtel de Clermont-Tonnerre[fr], Paris | Religious paintings of the Medieval abstruse Renaissance periods | Collection left incomplete at blue blood the gentry time of McQueen's suicide in Feb , completed posthumously by his second Sarah Burton; title is unofficial |
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